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With hindsight the race was at a turning point but as ever it is good, even healthy, to question established practices so let us review this race once more, an event that doesn’t have the history of its French and Italian cousins and in recent times its future has been in doubt but now the race seems to have found its niche. Obviously the race is here to lap Spain. But the perpetual problem has been that the Vuelta has been the third grand tour and in more than one way. First the modern calendar slot with a start in August since 1. It’s the third grand tour in terms of history too with its inaugural edition in only 1. Spain’s Franco era didn’t seem to hit the race, the country may haven been isolated politically but the Vuelta has long been an international race open to the likes of Anquetil, Poulidor, Gimondi, Janssen and of course Merckx. If anything the race became more Spanish in recent times when viewed by the list of winners. But even if it’s been going for ages it’s not entered cycling’s collective conciousness in the same way the Tour and Giro have. After boiling the bottle of Coke Zero and stirring for 20 minutes, the pan is almost empty and lovers of the diet soft drink can breathe a collective sigh of relief. © 2000-2016 Groundspeak Inc. All Rights Reserved. Groundspeak Terms of Use | Privacy Policy. This question was raised three years ago as the tour of Spain seemed aloof on the calendar, an uncertain event. With hindsight the race was at a turning point but as. This page contain Norman Lebrecht's CDs of the Week from February 19, 2007 to March 4, 2014. For the latest Lebrecht Weekly, visit here. Fluid catalytic cracking (FCC) is one of the most important conversion processes used in petroleum refineries. It is widely used to convert the high-boiling, high. Tabtight professional, free when you need it, VPN service. The Vuelta lacks the mythology associated with other races. Can you name a famous climb from the Vuelta? The likes of the Angliru and Covadongas come to mind but can you name five or ten? Probably not but many readers could probably name ten or twenty climbs from the Tour and Giro. If the Giro has the Cima Coppi, the Vuelta has… the Cima Alberto Fernández, a rider you’ve probably not heard of. Similarly can you name an anecdote from the past about the Vuelta? Perhaps one or two come to mind but the race doesn’t have the same cultural mythology and shared stories that is so important to anchoring the Tour and Giro as socio- cultural events above and beyond a mere bike race. Similarly there are very few books about the Vuelta outside of Spain, only “Viva La Vuelta” by Farron and Bell comes to mind. One recent feature of the Vuelta has been a training race where those aiming for the world championships would take part for, say, two weeks before leaving after accumulating plenty of racing hours and perhaps a few test efforts. This was never a great advert, a grand tour as a glorified training camp, a means to and end. It seems no longer the case or it least it is greatly reduced but this can have as much to do with the Worlds route namely the relatively flat course in Doha last year and Bergen this year mean a mountainous stage race is no use, we’ll might see things differently ahead of the hard Innsbruck course next year. Many are at the Vuelta to win but can you find a rider who starts in the season in January or February talking about their prime goal being a Vuelta win? It’s very rare, if not unheard of and if Froome “favorites” on Twitter the Vuelta route the moment it comes out for many contenders the Vuelta is a bookend to the season, a last minute decision for Contador, an entry that is confirmed relatively late by Bardet or the consequence of riding the Giro for the likes of Nibali. Similarly many riders recon Giro and Tour stages but how often do you see riders share images of Vuelta recons on social media? It’s rare, signalling a more relaxed approach. This leads us to one of the most fascinating aspects of the Vuelta, a grand tour to save the season for some. In his autobiography Charly Wegelius likens the Vuelta to “the crew of a pirate ship”, full of weary and unmotivated riders looking to redeem a season, “either riders didn’t want to be there or they were desperate to perform.” This still holds and if it’s not as noble a motivation it can make for more interesting stories. One purpose in recent years is to create a TV spectacle with the repeated summit finishes there are as many in the Vuelta as there are in the Giro and Tour combined. This is a race made for TV with regular contests between the main contenders and all often on short stages, there are only three stages over 2. There’s a problem sometimes with the production but the coverage is almost exclusively about the race, there are few lingering shots of castles although that’s in part because of Spain’s geography, history and landscapes. Conclusion. This all points to a race with a future. It might not have the historical resonance but it means there’s less baggage and expectations, a blank canvas to paint and a race to enjoy in the moment, a race of immediate action. The Vuelta can’t change its calendar slot and so will suffer as “the third race” where those who start with other goals in the Giro or Tour or even elsewhere come for their own reasons Spain. But the variety of their motivations can only make the race more interesting, a lucky dip with stories of revenge, redemption and failure. The recent tend of many star riders to compete has boosted the race and if Chris Froome wins this year it’ll only heighten interest in the race and convince more in the peloton, especially those who ride the Tour, to double up at the Vuelta. Office 2010 Proofing Tools X86 Instruction DecodingOfficial Games. 4theworld downloads - Games. Downloads. You can find Games. Be careful though, since there are only a few places where you can find official Games. Our official website: https: //games. Our official The Pirate Bay account: https: //thepiratebay. Games. 4theworld. If you download our downloads from any of these pages, we can fully guarantee you that the files are 1. However, if you download them from somewhere else, they might contain viruses or other unwanted stuff, since people sometimes “copy” our torrents, then modify them and upload them as if we uploaded it. If you download from this page or any of our other official pages, we guarantee you 1. 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Shows how to edit video with Premiere Pro CS5 and how to use video to tell. Understanding pixel aspect ratio. Premiere Pro Guru: Dynamic Link and the Adobe. Adobe Premiere Pro; Adobe Spark; Acrobat;. we use Adobe After Effects CS5. We show you how to get that popular 2.35 aspect ratio so it has a wider widescreen look. In this tutorial we will guide you on how to create a vignette effect in Adobe Premiere pro. our group in Google+, Adobe Premiere pro CS6 is an extremely. Adobe Premiere Pro CS5 is a professional video editor for creating and adjusting video projects in a. Understanding pixel aspect ratio. Creating a vignette 3m 12s. Free Effects for After Effects & Premiere. When editing any project…there are moments when a visual effect can be applied to help the story be told. These effects can emphasis something to make it more evident, subtly isolate a certain element or blend several assets into one shot. 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A lot of editors (who enjoy paying gigs) are now expected to be “one- man shops” that can handle picture edit, VFX, sound design and even music/score. Vignette Adobe PremiereAdobe Premiere Cs5 Serial NumberIt’s not the ideal situation as each one of these elements is their own discipline that takes years of experience to comprehend and master. Add to that an understanding of ever- changing skillsets, acquisition formats and delivery requirements…and your brain can literally overload and shut down. The dance between creative and technical is one that every editor strives to conquer and make instinctual in their work. I’ve been asked lately by a lot of fellow editors and filmmakers what specific plugins I use. I wanted to share with you my favorite free plugins for Adobe Premiere Pro and Adobe After Effects. 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This is essential for split screen effects when you are combining 2 takes of locked- off shot and want to use a different performances on each side of the frame. David Fincher’s editors Angus Wall and Kirk Baxter are both 2- time Academy Awards Film Editing Winners for The Social Network and The Girl With the Dragon Tattoo. They utilize an ironclad workflow forged over years of experimentation that obviously works quite well but is also always evolving. The mastermind who keeps their workflow working smoothly is their Assistant Editor, Tyler Nelsen. His knowledge base is as deep as it gets and he is always looking for ways to streamline and optimize the workflow. On every David Fincher project the editors are asked to blend different takes of multiple performances into one shot. They adjust the reactions of the actors’ readings to suit the timing of the scene. 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I used this plugin on a film I directed and edited that won the 2. Adobe Film Festival. It turned static, green screen comp shots, into living and breathing, believable handheld footage. The Pro Camera Shake version of this plugin allows for 3. D movements that follow the optical physics and science of real motion and parallax when applied to computer- generated assets. For free. Technology…embrace it. VFX Bro. VASHIMORPHIC 4. Anamorphic lens emulation plugin. I created this free plugin to use on your HD or 4. K footage to emulate the look and feel of the Panavision 4. Wes Anderson in most of his films. The plugin duplicates the image warp, blurred corners, 2. The included After Effects project is ready to go and all you do is drop in your footage and export. DOWNLOAD VASHIMORPHIC 4. HEREAs an added bonus…I want to include links to several free Light Leak video files I’ve used on several different projects. Light Leaks have been very popular over the last couple years and they add a pleasing vintage and organic feel to any project that could benefit from their use. There are many computer generated Light Leak plugins and presets…but the real deal always feels better. Try them out and let me know how they work for you…Free Light Leakshttp: //www. Thank you again for taking the time to visit my blog and read my ramblings. I hope you found some helpful information and some solid assets that you can use to make your projects look more professional and more realistic. Remember…all the plugins above came from the generosity of passionate filmmakers and companies that enjoy in giving back to the community. Please share this with anyone you think would enjoy or learn something from these valuable filmmaking tips and techniques. Related: 3. 35 Free Filmmaking Tools. Free Film Grains and Light Leaks. Free Aspect Ratio and Wide Screen templates for Filmmakers. Download Iobit Driver Booster Pro 5. 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I can assure you that I will be finishing the book very soon. The album features ten tracks, nine new tunes, and a new recording of his hit “Raining On Sunday”. Some of the highlights of the album includes the beautiful title track, “Belmont and 6th” (a song about the struggles of vets), “The Greatest Show On Earth” (a beautiful picture of a family get- together), “It Ain’t Done With Me” (a song about having to deal with one’s past). I can assure that you will be hearing songs from this album on The Breakfast with Porkchop Show is the weeks and months to come. Do yourself a favor and get both the book and album ‘For You To See The Stars’. You do not need one to enjoy the other. The album and book can be enjoyed independently. However, if you enjoy good storytelling, I encourage you to buy both the album and the book. It does not matter which you enjoy first, but enjoy them just the same. September 2. 0, 2. Larry Campbell and Teresa Williams have played important backing roles for scores of artists, including Roseanne Cash, Mavis Staples, Bob Dylan, and, most famously, Levon Helm, not only on recordings, but also as part of his legendary Midnight Rambles at his Woodstock, NY home. Although they have had quite a successful run in a musical support role for a who’s who of performers, this husband and wife duo struck out on their on with their 2. They have released a new project, ‘Contraband Love’, that highlights their songwriting prowess along with a mixture of country, blues, and rock music. The majority of the songs are original tunes that were written or co- written by Campbell. The album starts with “The Other Side of Pain”, a song with a you get what you deserve message from an ex- lover. Save Me From Myself” showcases Williams emotional vocal delivery. Campbell does a great job on the rocking “Hit and Run Driver”. 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The IBMA award winning group consists of In a guitarist Terry Eldredge, bassist Terry Smith and mandolinist Danny Roberts, banjoist Kristin Scott Benson , fiddler Adam Hayes, and guitarist John Bryan. The group’s selection of songs on this new album fits them perfectly. The album starts out with the the dark song, “Sleepin’ With the Reaper”, penned Becky Buller and Grant Williams. I like the fact that bluegrass and country writers are not afraid to write songs like this. It reminds me that life is not always sunshine and roses. The Grascals follow that up with “Demons”, another song that has some more darker, but real lyrics. The song was written by country legend Bill Anderson and Jon Randall. You may recognize it, as the song was recorded earlier by Kenny Chesney. The mood picks up a bit with Delia, which will definitely get you toes to tapping. No bluegrass album would be complete with a gospel number or two. The Grascals have included “I’ve Been Redeemed”, “There Is You”, penned by Kelsi Hargill of Flatt Lonesome, and the Flatt and Scruggs composition “He Took Your Place”. Band member Terry Smith, along with his brother Bill, penned the song “Lonesome”, a tribute to the lonely souls of the world, and haven’t we all been one at sometime. The band tackles a couple of drinking song, with the funny Harley Allen song “Beer Tree”, and the Tim Stafford and Bobby Starnes penned “Clear Corn Liquor” that includes a refrain of “Whiskey Before Breakfast”. The Webb Pierce song “Pathway of Teardrops” will be recognized by most bluegrass fans from the catalog of The Osborne Brothers. The Grascals’ version is fantastic! Band members Danny Roberts and Adam Hayes’ “Lynchburg Chicken Run” is a toe tapping new instrumental. The fiddle, mandolin, and banjo work on “Lost and Lonesome” is outstanding. Listen to this song while driving at your own risk. You may end up with a speeding ticket. 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Command To Get Serial Number In Aix EnHere you can find out a lot of selects that will help you to get information from TSM. SQL statements. If you have any selects to share or have any comments. Database and Recovery Log. Nodes. Filespaces. Occupancy. Schedules. Drives and Paths. Management class. Copy Groups. Activity Log. Archive Objects. Backup Objects. Summary. Volumes. Storage Pools. Events. Volume History. DRMSessions. Backups. Processes. Other. Thank You. Database and Recovery Log. List all information from db table. TSM version 5 and 6 (the below output is from version 5). SERVER1> SELECT * FROM db. AVAIL_SPACE_MB: 8. CAPACITY_MB: 8. 00. MAX_EXTENSION_MB: 5. MAX_REDUCTION_MB: 1. PAGE_SIZE: 4. 09. USABLE_PAGES: 2. 04. USED_PAGES: 1. 68. PCT_UTILIZED: 8. 2. MAX_PCT_UTILIZED: 8. PHYSICAL_VOLUMES: 1. BUFF_POOL_PAGES: 6. TOTAL_BUFFER_REQ: 5. CACHE_HIT_PCT: 9. CACHE_WAIT_PCT: 0. BACKUP_RUNNING: NO. BACKUP_TYPE. NUM_BACKUP_INCR: 0. BACKUP_CHG_MB. BACKUP_CHG_PCT: 1. LAST_BACKUP_DATE: 2. DB_REORG_EST. DB_REORG_EST_TIME. TSM database utilization (%). TSM version 6. tsm: SERVER1> SELECT CAST(SUM(1. AS DECIMAL(3,1)) AS PCT_UTILIZED FROM db. TSM version 5. tsm: SERVER1> SELECT pct_utilized FROM db. TSM log recovery utilization (%). TSM version 6 (active log). SERVER1> SELECT CAST(SUM(used_space_mb *1. MB) AS DECIMAL(3,1)) AS PCT_UTILIZED FROM log. TSM version 6 (active log). SERVER1> SELECT CAST(SUM(1. AS DECIMAL(3,1)) AS PCT_UTILIZED FROM log. TSM version 5. tsm: SERVER1> SELECT pct_utilized FROM log. Selecting specific columns from db table. TSM version 6. tsm: SERVER1> SELECT tot_file_system_mb, used_db_space_mb, free_space_mb, - . SELECT CAST(SUM(1. AS DECIMAL(3,1)) AS PCT_UTILIZED FROM db), - . FROM db. TOT_FILE_SYSTEM_MB USED_DB_SPACE_MB FREE_SPACE_MB PCT_UTILIZED LAST_BACKUP_DATE. TSM version 5. tsm: SERVER1> SELECT avail_space_mb,capacity_mb, pct_utilized, max_pct_utilized,last_backup_date FROM db. AVAIL_SPACE_MB CAPACITY_MB PCT_UTILIZED MAX_PCT_UTILIZED LAST_BACKUP_DATE. Number of database volumes not synchronized. TSM version 5 only. SERVER1> SELECT COUNT(*) FROM dbvolumes WHERE ( NOT copy. Synchronized' OR NOT - . Synchronized' OR NOT copy. Synchronized' ). Number of log volumes not synchronized. TSM version 5 only. SERVER1> SELECT COUNT(*) FROM logvolumes WHERE ( NOT copy. Synchronized' OR NOT - . Synchronized' OR NOT copy. Synchronized' ). Nodes. Number of nodes. - TSM version 5 and 6. SERVER1> SELECT SUM(num_nodes) FROM domains. TSM version 5 and 6. SERVER1> SELECT COUNT(*) FROM nodes. Number of nodes per domain. TSM version 5 and 6. SERVER1> SELECT domain_name,num_nodes FROM domains. DOMAIN_NAME NUM_NODES. AIX 4. EXCHANGE 4. NT 6. VMWARE 1. Number of nodes per platform. TSM version 5 and 6. SERVER1> SELECT platform_name,COUNT(*) FROM nodes GROUP BY platform_name. PLATFORM_NAME Unnamed[2]. AIX 2. Linux. 86 3. TDP Domino 2. TDP MSSQL Win. 32 1. Win. NT 1. TSM version 5 and 6. SERVER1> SELECT node_name FROM nodes WHERE locked='YES'. Number of nodes locked. TSM version 5 and 6. SERVER1> SELECT COUNT(*) FROM nodes WHERE locked='YES'. Number of nodes sessions. TSM version 5 and 6. SERVER1> SELECT COUNT(*) FROM sessions WHERE session_type='Node'. TSM clients version. TSM version 6. tsm: SERVER1> SELECT node_name, platform_name, domain_name, TRIM(CHAR(client_version))||'.'||TRIM(CHAR(client_release))||'.'||- . TRIM(CHAR(client_level))||'- '||TRIM(CHAR(client_sublevel)) as "TSM Client Version", DATE(lastacc_time) AS LASTACC_TIME FROM nodes. TSM version 5. tsm: SERVER1> SELECT node_name, platform_name, domain_name, VARCHAR(client_version)||'.'||VARCHAR(client_release)||'.'||- . VARCHAR(client_level)||'- '||VARCHAR(client_sublevel) as "TSM Client Version", DATE(lastacc_time) AS LASTACC_TIME FROM nodes. NODE_NAME PLATFORM_NAME DOMAIN_NAME TSM Client Version LASTACC_TIME. NODE_0. 1 Win. NT STANDARD 6. NODE_0. 2 AIX STANDARD 6. NODE_0. 3 TDP Domino AIX STANDARD 5. NODE_0. 4 TDP Dom LINUXZ6. STANDARD 6. 1. NODE_0. 5 Linux. STANDARD 6. 1. NODE_0. 6 TDP Domino AIX STANDARD 5. NODE_0. 7 AIX STANDARD 5. NODE_0. 8 AIX STANDARD 5. Number of nodes per TSM client version. TSM version 6 only. SERVER1> SELECT TRIM(CHAR(client_version))||'.'||TRIM(CHAR(client_release))||'.'||TRIM(CHAR(client_level))||'- '||TRIM(CHAR(client_sublevel)) - . TSM_Client_Version, count(*) as number_nodes FROM nodes GROUP BY - . TRIM(CHAR(client_version))||'.'||TRIM(CHAR(client_release))||'.'||TRIM(CHAR(client_level))||'- '||TRIM(CHAR(client_sublevel)). TSM_CLIENT_VERSION NUMBER_NODES. List of nodes that have not accessed the tsm server in the last 9. TSM version 6. tsm: SERVER1> SELECT node_name, domain_name, platform_name, TO_CHAR(lastacc_time,'YYYY- MM- DD HH2. MI') as "lastacc_time" FROM - . WHERE DAYS(current_date)- DAYS(lastacc_time)> 9. ORDER BY "lastacc_time". TSM version 5. tsm: SERVER1> SELECT node_name, domain_name, platform_name, SUBSTR(CHAR(lastacc_time),1,1. FROM nodes WHERE - . ORDER BY "lastacc_time". NODE_NAME DOMAIN_NAME PLATFORM_NAME lastacc_time. NODE_1. 23 PROD AIX 2. NODE_2. 34 PROD Win. NT 2. 01. 1- 0. NODE_3. 45 PROD DB2/AIX6. Some nodes information and amount of space (from auditocc). TSM version 5 and 6. SERVER1> SELECT n. TRIM(CHAR(client_version))||'.'||TRIM(CHAR(client_release))||'.'||TRIM(CHAR(client_level))||'- '||TRIM(CHAR(client_sublevel)) as TSM_Client_Version, - . DEC(8,2)) AS TOTAL_GB, DATE(n. LASTACC_DATE FROM nodes n, auditocc a WHERE n. ORDER BY TOTAL_GB DESC. NODE_NAME DOMAIN_NAME PLATFORM_NAME TSM_CLIENT_VERSION TOTAL_GB LASTACC_DATE. NODE1 OFFSITE AIX 6. NODE2 OFFSITE AIX 6. NODE3 SERVERS DB2/AIX6. NODE4 OFFSITE AIX 6. NODE5 SERVERS Linux. Filespaces. List filespaces that have not been backed up in the last 3. TSM version 5 and 6. SERVER1> SELECT node_name,filespace_name, filespace_type,DATE(backup_end) as DATE FROM filespaces WHERE - . DAYS(current_date)- DAYS(backup_end)> 3. TSM version 5. tsm: SERVER1> SELECT node_name,filespace_name, filespace_type,DATE(backup_end) as DATE FROM filespaces WHERE - . DAYS). NODE_NAME FILESPACE_NAME FILESPACE_TYPE DATE. NODE_1. 32 /db. EXT3 2. 01. NODE_1. 32 /db. EXT3 2. 01. NODE_1. 32 /dbwork EXT3 2. NODE_1. 32 /home EXT3 2. Occupancy. Number of files per client. TSM version 5 and 6. SERVER1> SELECT node_name, SUM(num_files) FROM occupancy GROUP BY node_name. NODE_NAME Unnamed[2]. NODE0. 1 2. NODE0. 2 1. NODE0. 3 1. NODE0. 4 5. Space and number of files stored per client. TSM version 5 and 6. SERVER1> SELECT node_name,CAST(FLOAT(SUM(physical_mb)) / 1. AS DEC(8,2))as "Space in GB", - . SUM(num_files)as"Number of files" FROM occupancy GROUP BY node_name. NODE_NAME Space in GB Number of files. SERVER- 0. 1 1. SERVER- 0. 2 9. SERVER- 0. 3 3. SERVER- 0. 4 5. Data stored per client (GB). TSM version 5 and 6. SERVER1> SELECT node_name,CAST(FLOAT(SUM(logical_mb)) / 1. AS DEC(8,2)) FROM - . GROUP BY node_name. NODE_NAME Unnamed[2]. SERVER- 0. 1 3. SERVER- 0. 2 2. SERVER 0. 3 8. SERVER- 0. 4 3. Data stored per client and some information from nodes table. TSM version 5 and 6. SERVER1> SELECT occ. CAST(FLOAT(SUM(logical_mb)) / 1. AS DEC(8,2)) as GB - . FROM occupancy occ, nodes node WHERE occ. GROUP BY occ. node_name,node. ORDER BY GB DESC. NODE_NAME DOMAIN_NAME PLATFORM_NAME GB. NODE1 OFFSITE AIX 4. NODE2 OFFSITE AIX 2. NODE3 SERVERS DB2/AIX6. NODE4 OFFSITE AIX 6. Storage space used per filespace for a specific node. TSM version 5 and 6. SERVER1> SELECT node_name, filespace_name, SUM(logical_mb) AS "Total MB" FROM occupancy WHERE node_name='NODEABC' - . GROUP BY node_name, filespace_name ORDER BY "Total MB" DESC. 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